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Reproduced from Bulmer Hobson, The Gate Theatre Dublin. Photograph by Harry Braine.Ģ Peer Gynt and the crowd, Dublin Gate Theatre 1928, Design by Micheál MacLiammóir. May Carey as Aase and Hilton Edwards in Peer Gynt, Dublin Gate Theatre, 1928 or 1932. The decade of the Button Moulder and the Norwegian PlayboyĮpilogue: Dreams of Resurrection − Ibsen and George MooreĪppendix: List of Performances of Ibsen’s Plays in Dublin, 1894−28 The Abbey entered: A Doll’s House and The Plough and the Stars, 1923−28Ī Farewell to the Revival and the Beginnings of Irish Modernism Ghosts, An Enemy of the People and John Gabriel Borkman: conflicting responses, 1917−19 Ibsen in James Joyce’s early fiction: Little Eyolf and ‘An Encounter’ The Metropolitan Players and Edward Martyn as interpreters of Ibsen, 1913−16 The rise of the realists and the myth of Ibsen’s nationalism, 1908−12īeyond Realism: the Reception of Ibsen’s ‘Symbolist’ Plays The Theatre of Ireland’s Brand and the ideal of sacrifice, 1906 Irish Nationalism and the Ideology of Ibsen’s Plays Yeats, 1902−6įrom Hedda Gabler to The Player Queen: the transformations of Yeats’s attitude to dramatic realism, 1907 In the Shadow of the Glen and popular images of Ibsen, 1903 Ibsen’s early plays and the revival of Irish myths, 1899−1902 To the memory of my father, Yuri Aleksandrovich Ruppoĭublin’s First Introduction to Ibsen: The Realist PlaysĮnglish controversy − Irish reactions, 1889−93Īn Enemy of the People and Irish politics, 1894Ī Doll’s House and the beginnings of the Irish Literary Theatre, 1897 10 9 8 7 6 5 4 3 2 1 19 18 17 16 15 14 13 12 11 10 Printed and bound in Great Britain by CPI Antony Rowe, Chippenham and Eastbourne A catalog record for this book is available from the Library of Congress. A catalogue record for this book is available from the British Library. Logging, pulping and manufacturing processes are expected to conform to the environmental regulations of the country of origin.

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Palgrave Macmillan in the US is a division of St Martin’s Press LLC, 175 Fifth Avenue, New York, NY 10010. First published 2010 by PALGRAVE MACMILLAN Palgrave Macmillan in the UK is an imprint of Macmillan Publishers Limited, registered in England, company number 785998, of Houndmills, Basingstoke, Hampshire RG21 6XS. The author has asserted her right to be identiﬁed as the author of this work in accordance with the Copyright, Designs and Patents Act 1988. Any person who does any unauthorized act in relation to this publication may be liable to criminal prosecution and civil claims for damages. No portion of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, Saffron House, 6–10 Kirby Street, London EC1N 8TS. No reproduction, copy or transmission of this publication may be made without written permission.